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Marge Piercy's "Barbie Doll"

Updated on May 2, 2016
Maya Shedd Temple profile image

Poetry became my passion, after I fell in love with Walter de la Mare's "Silver" in Mrs. Edna Pickett's sophomore English class, circa 1962.

Marge Piercy



Marge Piercy's feminist poem belittles the stereotype of the perfect woman, suggesting that the patterns of behavior and body image touted by society cause little girls to kill themselves when they don't measure up.

Marge Piercy's "Barbie Doll" dramatizes a "girldchild" and her predicament in four free versagraphs (versagraphs).

First Versagraph: "This girlchild was born as usual"
In the first Versagraph, the speaker announces that this young woman was born naturally; then she played with the usual dolls that were being offered for her generation. She also played with toy household appliances. By the time she reached puberty, however, she was confronted with the accusing words of fellow student, who told her she had a "big nose and fat legs."

Second Versagraph: "She was healthy, tested intelligent"
Next, the speaker claims that the girl enjoyed good health, and she was smart. She was even strong; she "possessed strong arms and back." And she skillfully performed physical tasks and mental tasks, such as those required by school assignments. But she had become obsessed with her big nose and legs, so she "went to and fro apologizing" for her unlovely qualities.

Third Versagraph: "She was advised to play coy"
Apparently, someone encouraged the girl "play coy" and to "come on hearty"—two mutually exclusive acts, which must have confused the girl. She was also encouraged to watch what she ate and to get exercise to reduce the size of her fat legs, no doubt.

But she was also encouraged to "smile and wheedle." More confusion. The poor girl did not know what she was supposed to do or be. So she went from being a healthy, capable young girl to a confused, depressed adolescent, and then she commits suicides.

The speaker dramatizes the suicide by metaphorically likening her act to "cut[ting] off her nose and her legs / and offer[ing] them up." This surreal act works well, because it does not matter how the girl actually committed the act of suicide; she did it because of her big nose and legs. In order to cut off her nose and legs, she had to sacrifice her whole body and mind.

Fourth Versagraph: "In the casket displayed on satin she lay"
In the fourth Versagraph, the speaker describes the young woman as she looks in her casket. Of course, the legs are no problem there, since a casket viewing entails only the upper torso, but the nose has been reconstructed by the mortician, and he has applied make-up and dressed her in "a pink and white nightie."

The mortician's magic has transformed the poor girl's physical encasement into a specimen of which she might been proud and, no doubt, have been able to live in quite happily. And those people who view her comment, "Doesn't she look pretty?"

The speaker is outraged by the hypocrisy, as she likely is thinking that if the girl had been told she was pretty while she was still alive, perhaps she would still be alive. The speaker expresses her disgust by sarcastically exclaiming, "Consummation at last. / To every woman a happy ending."

A Statement on Superficial Beauty
Societal roles for women and the standards for feminine physical bodies offer a great lot of fodder for feminist complaint. The speaker assumes that if the poor suicide in the poem had only been made to realize that feminine beauty includes inner mental strength along with physical health, not the impossible shapes and behaviors that too often are foisted upon growing girls by a society obsessed with sex, youth, and artificial beauty, she would not have become so obsessed that she felt the need to kill herself.

The confusing messages that young girls too often take from the culture can lead them astray, and instead of finding their inner beauty and strength they succumb to a superficial standard that leads only to perdition.

Reading of Piercy's "Barbie Doll"

Hunger Moon

The Hunger Moon: New and Selected Poems, 1980-2010
The Hunger Moon: New and Selected Poems, 1980-2010

A collection of poetry by Marge Piercy


© 2016 Linda Sue Grimes


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    • Harishprasad profile image

      Harish Mamgain 15 months ago from India

      The world has changed a lot after this poem was written by the poetess, but it is really unfortunate that in most parts of the world, women still undergo these travails. Even in this age too, media and beauty business are busy in sheer nonsense and trash. Linda, women have to confront these modern monsters.

    • Maya Shedd Temple profile image

      Linda Sue Grimes 15 months ago from Spring Hill, TN

      Things are tough all over in mayic delusion;, Harish. . . Thanks for the response.

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