Edgar Lee Masters’ "Flossie Cabanis"
Edgar Lee Masters
Spoon River Anthology
This publication includes the entire series of Spoon River epitaphs (246 in all) including "Flossie Cabarnis."
Edgar Lee Masters’ “Flossie Cabanis” from Spoon River Anthology features a drama queen who wishes that “Duse could stand amid the pathos / Of these quiet fields / And read these words.”
Flossie alludes to the Italian actress, Eleonora Duse, who was noted for making lavish, sweeping statements, such as “If I had my will, I would live in a ship on the sea and never come nearer to humanity than that!”
First Movement: “From Bindle’s opera house in the village”
Flossie reports that there is a great difference in stature between “Broadway” and “Bindle’s opera house,” the local playhouse in Spoon River. She calls that difference a “great step.”
Second Movement: “But I tried to take it, my ambition fired”
The fact that the step was great, however, did not stop Flossie from making the effort by taking that step. Her ambition was “fired / When sixteen years of age.”
At that young age, Flossie attended the play, “East Lynne,” featuring Ralph Barrett, who was a rising star of stage. This “romantic actor” stirred this ambition in her soul.
Third Movement: “True, I trailed back home, a broken failure”
Completely skipping over her ordeal in New York, Flossie admits that she “trailed back home, a broken failure.” Not only did she fail in pursuing her acting career, but she also failed to hold on to a relationship with Ralph. She reports that he “disappeared in New York.”
Flossie was thus left “alone in the city.” She has not given any indication about how long she had remained in New York. Her only focus is on her failures.
Fourth Movement: “But life broke him also”
Flossie then confides that not only was she a “broken failure,” but so was Ralph. She does not elaborate, but she does offer a pregnant silence that allows her listener to imagine the pain and disappointment of both would-be stars.
Flossie then describes Spoon River as a “place of silence” where there exist for her “no kindred spirits.” Her ambition could not be realized in such a place, for she found no one with whom she could confide or share.
Fifth Movement: “How I wish Duse could stand amid the pathos”
The one quality that Flossie continues to retain is her sense of drama. She expresses the desire to have the melodramatic Italian actress Eleonora Duse stand out in the fields surrounding Spoon River and deliver her lament. For Flossie those fields are filled with “pathos.”
Flossie’s minimalist sketch leaves much to the imagination of her listener/reader. It is only through very broad hints that the reader can interpret Flossie’s true ambitions.
It is possible that her only ambition was to become and remain the mate of Ralph Barrett as he pursued the heights of stardom on the stage, and that she had no real aspirations of following an acting career for herself.
However, by introducing and alluding to the famous Italian actress, she seems to be presenting Duse as her rôle model; thus the reader infers that Flossie’s ambition was two-fold: she wanted both an acting career and a relationship with Barrett.
Reading of Masters' "Flossie Cabanis"
© 2017 Linda Sue Grimes